Various forms of Chinese traditional festivals

Article by Luckysatr

Various forms of Chinese traditional festivals, rich in content, is a long history and culture of the Chinese nation is an integral part. The formation of traditional festivals is a nation or state historical and cultural accumulation in the process of long-term, China's traditional festivals, and both come from the ancient development, the festival has spread from the customs in, you can clearly see the ancient social life of the people of the wonderful pictures.

1. New Year's Eve. New Year's Eve night, called New Year's Eve. "In addition to" original meaning is "go." White Snake, the idea was "easy" (White Snake); "xi" meaning of the word was originally a "sunset", the idea was "night." Therefore New Year's Eve, they contain "the old year and in addition to this, tomorrow another one-year-old" means. "In addition" is blowing away the cobwebs of meaning. The earliest New Year's Eve was from the Qin Dynasty, "by addition." According to the "Spring and Autumn • Winter season in mind," recorded the day before the New Year, the ancients, the way to get rid of the drums, "the ghost of pestilence" in the coming year will be disease-free from disasters. This is the "New Year" s Day.

2. Spring Festival. Lunar New Year is the first one year of age, commonly known as "New Year's Day." The origins of the Spring Festival in China, there are about four thousand years of history. It is the most popular of people, one of the most solemn festival. Ancient Chinese New Year, Lunar New Year is the twenty-four solar terms in the "spring" season, the Northern and Southern Chinese New Year changes only after the end of the year in one year, and refers to the spring, when born in spring, Vientiane update, people put it as the beginning of the new year. People often say to the New Year "New Year", and "year" is the world's one of the most ferocious beast, said it came out, see people eating, to see animals hurt animals, people's lives are seriously threatened. Red scrolls, brilliant light, crisp firecra! ckers, l oud gongs and drums are used to frighten away "years". Customs has set off firecrackers, eating dumplings, couplets, visiting relatives and friends.

3. Lantern Festival. Also known as the "Lantern Festival", that is, the first month on the 15th lunar calendar which is an important Chinese traditional festival. In the ancient books, the night called "per night", "Lantern Festival" or "Lantern." Lantern of the name still is in use. Lantern Festival lanterns because seeing light of customs, folk and learning known as the "Festival of Lights." There are also eating Lantern, walking on stilts, riddles and other customs.

4. Tomb-Sweeping Day. It is on April 4 in the Gregorian calendar to six the past few days. Tomb-Sweeping Day is the most important festival of sacrifice, is the most suitable for worship and the graves of the day. Grave extremely jammed an activity the deceased. Han and minority ethnic groups are greatly simplified. According to the old customs, grave, people bring food and drinks to fruit, paper money and other items to the cemetery, the food for the festival in the family tomb, and then burning paper money for the new soil on the grave culture, folding A few of the new green sticks inserted in the grave and worship and bow, and finally eat the memorial tablet.

5. Dragon Boat Festival. The fifth day of lunar month as "Dragon Boat Festival" is an ancient Chinese traditional festival. "Dragon," whose real name is "five", means the beginning and end. Because people think "May" is a bad month, "the fifth day" is a bad day, so taboo, "five" instead of "Dragon Boat Festival."Dragon Boat Festival, both recorded as early as the early Western Zhou Dynasty, was not set up for the festival to commemorate Qu Yuan, but after some of the custom of Dragon Boat Festival by the impact of Qu Yuan. Dragon Boat Festival has customs of Dragon Boat, eating rice dumplings.

6. Mid-Autumn Festival. Lunar August 15, the day just fall right in the middle, so called "moon." In the evening, ful! l moon c innamon, old customs of the people happy to see it as a symbol, to prepare all types of fruits and cooked food, is the full moon of the season. Mid-Autumn Festival would also like to eat moon cake, moon cake round and round the meaning of the delegation. According to legend, the Yuan Dynasty, the majority of the people to overthrow the tyrannical rule of the Yuan Dynasty, the launch date of the riots to write a piece of paper, on the moon cake stuffing house for passing secrets to each other, calling everyone in the Aug. 15 uprising. Finally on this day a national-scale outbreak of peasant uprising to overthrow the corrupt through and through the Yuan dynasty rule. Since then, the custom of Mid-Autumn Festival to eat moon cake the more widely spread. Of course there are also some other traditional festivals in China. China is a country full of long history and culture. If you could come to China one day, you will know and enjoy her.

Santa's Workshop - Inside China's Slave Labour Toy Factories

Sometimes we have no choice, we work till dawn. When you work all night you become dizzy and your eyes hurt because you can't take any breaks. SANTA'S WORKSHOP takes you to the real world of China's toy factories. Workers tell us about long working hours, low wages, and dangerous work places. Those who protest or try to organize trade unions risk imprisonment. Low labor costs attract more and more companies to China. Today more than 75% of our toys are made in China. But this industry takes its toll on the workers and on the environment. The European (and American) buyers blame bad conditions on the Chinese suppliers. But they say that increasingly hard competition gives them no option. Who should we believe? And what can you do to bring about a fairer and more humane toy trade?

Video Rating: 4 / 5

Yuan Mei: Eighteenth Century Chinese Poet (China: History, Philosophy, Economics)

First published in 1956. Arthur Waley here presents an engrossing account of the works and life of Yuan Mei (1716-1797), the best-known poet of his time. Gaiety is the keynote of his works and the poet was a friend of the Manchu official with whom Commodore Anson had dramatic dealings at Canton in 1743. Yuan Mei gives an account (not previously translated) of Anson's interview with the Manchu authorities. The book contains many translations of Yuan Mei's verse and prose.

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Fascinating Stage Arts (Culture of China) (Chinese Edition)

An overview of Traditional Chinese theater and Opera. Color Illustrations.

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Chinese Classical Furniture (Images of Asia)

Chinese hardwood furniture of the Ming dynasty is known the world over for its classical beauty and ingenious design. This beautifully illustrated introduction to Ming furniture opens with a short history of Chinese furniture styles; goes on to discuss the many varieties of chairs, tables, beds, cabinets, and stands included among Ming pieces; and uses woodblock prints of the time to explore how the pieces were arranged and used.

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The Rough Guide to China 5 (Rough Guide Travel Guides)

The Rough Guide to China is the definitive guidebook to one of the world's most fascinating and rapidly changing travel destinations. The full-colour introduction gives an inspiring insight into many of China's highlights, from the awesome scenery down the Yangzi River to the incredible Great Buddha at Leshan and the lavish Confucius Temple. Read expert background on everything from the treasures of the Forbidden City to the Buddhist art of the Mogao Caves as well as comprehensive information on China''s history, politics, cultures and peoples. This fully- updated fifth edition includes an extended chapter on Shanghai and new colour inserts throughout allowing you to chose where to go and what to see, inspired by over 150 photos. Rely on our selection of the best places to stay and eat, for every budget with place names, accommodation and restaurants invaluably translated into Chinese script. Featuring over 140 detailed maps plus vital Chinese characters, this indispensable guide takes you from cutting-edge clubs in Shanghai to holy mountains in Tibet and from ancient temples to gleaming new skyscrapers.

Make the most of your time with The Rough Guide to China

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The Chinese Army Today: Tradition and Transformation for the 21st Century (Asian Security Studies)

The Chinese Army Today is a comprehensive study of the Chinese military, examining its ground forces in a level of detail not found in any other contemporary works. This new, revised edition has been fully updated to take account of recent changes in the institution.

In 1999, the military modernization program of the Chinese People's Liberation Army increased in intensity and achieved a focus not seen in the previous two decades. Based primarily on actual Chinese sources, this book details these changes and puts them in the context of the many traditions that still remain.

Written by a retired professional military officer who has served in China, the text uses first-hand observation of the Chinese military and three decades of military experience to weave many disparate threads from official Chinese statements, documents, and media reports into an integrated whole. The author also conducts an in-depth exploration into the many forces that constitute the People's Liberation Army.

This is an essential book for all students of Chinese military and security affairs, and highly recommended for students of Chinese Politics, Asian Security, and International Relations and Strategic Studies, in general.

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Art in China (Oxford History of Art)

About the Oxford History of Art Series:

"An impressively challenging and ambitious series intended to rewrite no less than the whole history of art in terms of new ideas and new scholarship."--Christopher White, Director of the Ashmolean Museum, Oxford

"A welcome introduction to art history for the twenty-first century....The best of the past and future."--Robert Rosenblum, New York University

The last twenty years have witnessed profound changes in art history, the greatest of which stem from the social and cultural perspectives now attached to art scholarship. Written by scholars at the forefront of new thinking, many of whom are rising stars in their fields, theOxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. Providing a fresh new look at art that moves away from traditional elitist approaches, the series makes use of new research and methodologies, as well as newly accessible and non-canonical works to offer comprehensive coverage of the art world from archaic and classical Greek art to twentieth-century design and photography, from the artistry of African-American and Native North Americans to the masterpieces of Europe, Polynesia, and Micronesia. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art.

China boasts a history of art spanning 5,000 years and embracing a wide diversity of images and objects--from jade tablets, painted silk handscrolls and fans to ink and lacquer painting, porcelain-ware, sculpture, and calligraphy. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, while largely ignoring those art forms most highly prized by the Chinese themselves, such as calligraphy. Now, in Art in China, Craig Clunas marks a breakt! hrough i n the study of the subject. Taking into account all the arts practiced in China, and drawing on recent innovative scholarship, this rich text examines the production and consumption of art in its appropriate contexts. From art found in tombs to the state-controlled art of the Mao Zedong era, Art in China offers a novel look and comprehensive examination of all aspects of Chinese art.

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Peranakan Chinese Porcelain: Vibrant Festive Ware of the Straits Chinese (No)

Exuberant, ornate and colorful, Straits Chinese porcelain is a variety of polychrome enameled export ware made to specification in China during the nineteenth and early twentieth centuries. This lovely porcelain was made for the Straits-born Chinese or Peranakan communities in Penang, Malacca and Singapore and was used on festive occasions such as weddings, birthdays, anniversaries and Chinese New Year.

Peranakan Chinese Porcelain is illustrated with over 800 full-color photographs of these distinctive porcelain types. Supported by text and photographs on many related aspects of the characteristic Straits Chinese culture, such as architecture, dress and cuisine, Peranakan Chinese Porcelain is a wonderful contribution to the history of the Straits Chinese.

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Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art

"Written by one of the most important advocates and theorists of contemporary Chinese art, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art traces the historical roots of contemporary Chinese art and interprets some of the most important events that shaped it over the past three decades. Making serious theoretical claims based on firsthand observations, this book sheds light not only on the unique characteristics of recent Chinese art but also on the growing complexity of contemporary art in general." Wu Hung , Harrie A. Vanderstappen Distinguished Service Professor of Art History and East Asian Languages and Civilizations, and Director, Center for the Art of East Asia, University of Chicago

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Chinese Calligraphy (The Culture & Civilization of China)

Chinese calligraphy, with its artistic as well as utilitarian values, has been treasured for its formal beauty for more than three millennia. This lavishly illustrated book brings to English language readers for the first time a full account of calligraphy in China, including its history, theory, and importance in Chinese culture. Representing an unprecedented collaboration among leading Chinese and Western specialists, the book provides a definitive and up-to-date overview of the visual art form most revered in China.

The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form.

(20081221)

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In the Realm of the Flower Phoenix

The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappeared forever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappe! ared for ever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.

List Price: $ 0.99 Price: $ 0.99

BK0271Y-Chinese Painted Fancy Basket , Vintage, China, Wood (Mu), Antique Asian Decor: Chinese Paint

  • Vintage
  • China
  • Red / Gold
  • 13" wide x 13" deep x 16.5" high
Chinese painted fancy food basket with carved images of bats of happiness and deer on lid and other Chinese symbols on the bottom rim. Reed handles and red lacquered finish.

Price:

Chinese calligraphy writing and brush painting / sumi set

  • Great starter set
  • 5 brushes, ink well / stone, ink stick, signing ink, stone chop, brush rest, & water well
  • Nicely presented in chinese brocade gift box
  • Size: 8.5" x 6"
  • Made in China
Chinese character writing is a highly evolved discipline that relies as much on artistic craftsmanship, as it does on literary composition. Our basic writing set comes with two brushes, a black ink stick, ink stone and red ink for the "chop" or signature stamp. The ink is made by gently rubbing the ink stick in a small pool of water in the ink stone. This ancient method allows for very little waste. The same bushes and inks may be used both for writing and painting, as the two art forms are so closely linked. Our writing set comes from Shanghai, the literary capital of China. Also available on Amazon from REORIENT, is the traditional rice paper used for painting and writing.

List Price: $ 14.94 Price: $ 14.94


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