Bone Flowers: International Folklore with the Living Lifeless
Article by Golda Leapheart
Death is as common a theme inside the globe with the arts as it really is an event in everyday daily life. The point exactly where one, residing becoming is separated from other living souls has become as typical a topic of literature and art as any other facet of human existence. It's also inspired in countless cultures a variety of concepts on what happens past the mortal coil. This really is understandable, because the dying tend to really feel Troy Polamalu Jersey nervousness at the concept of loss of life. The bereaved, for his or her portion, go through an interval of grief and separation anxiousness. Arguably, this facet of human psychology with regards to loss of life might be employed as an explanation for that widespread - practically universal, by some accounts - tales from the "undead."
Reaching or stumbling upon tales of life right after dying appears in nearly every main continent. Ghosts are distinguished players in these tales, by natural means. These incorporeal beings generally are attributed to have a kind of separation nervousness, fundamentally attached to a thing they valued or held dear in lifestyle. The unwillingness to depart also grants them the capability to manifest in the mortal world on a variety of levels. Whilst Western ideas of ghosts are inapte of influencing the mortal globe on the bodily degree, they are more than able to damage the psychological wellness in the living. In contrast, Chinese ghosts come in many different forms, but all invariably are capable of visiting physical harm upon the residing.
It's not only the spirit that's topic to being became one of the "undead," since the living often attach emotions to the body also. Zombies are corpses brought Troy Polamalu Jersey back again from the dead by means of arcane and occult rituals, really are a prime illustration of this. The drauger of Norse mythology also fits into this class, as they're corpses that resist becoming introduced to the burial mound or refuse to stay buried. Some analysts i! n the li terature and mythology bordering these beings have noticed that many people regard these creatures with concern and nervousness. You can find some that theorize that this stems much more from cultural and religious norms about demise than society at big. Most people have come to believe that a the bodies in the departed should be incapable of motion, so an animated corpse is something to be feared.
However, this obvious idea will not prolong to forms of "un-death" that are each spirit and flesh, like the Romanian strugoi - more generally known as vampires. These creatures are frequently seen as having both the physique along with the soul of the deceased, but call for a thing else to carry on corporeal existence. This can be evidently a prevalent phenomenon amongst Troy Polamalu Jersey numerous cultures, though the substance differs from culture to tradition. Europeans contemplate the blood since the sustaining aspect inside the existence of vampires, while most African equivalents with the creatures subsist on human feces or bones. Regardless, these creatures are historically regarded with concern and anxiety by mortals, particularly the ones which are getting employed as "food." Although the vampire image popularized by Hollywood's version of Dracula has become a creature of surprise and sensuality, most other variants are nonetheless objects of horror.
One fascinating tangent towards the "vampire" group above would be the variations to become discovered in Chinese and Japanese culture. The jiang shi (hopping corpses) of China, for instance, are similar to their Western counterparts, besides that it isn't the blood in and of alone that feeds them. Instead, the jiang shi are said to absence one thing known as chi - the essence of daily life - and call for using it in the residing to remain extant. Most usually, the strength of human chi is concentrated in the blood. The finish result is that the victim is drained of all blood, as consequence in the feeding. The gaki of Japan are similar crea! tures, b ut are usually described as becoming far more human in countenance compared to jiang shi. Also, they just take the chi straight, leaving a physique that seems to have died although asleep.
Regardless of what form or variation is taken, the state of "undeath" is a prevalent one within the numerous cultures in the world. The fear and anxiousness connected with demise often attaches itself to those mythical creatures, even if pop culture has made some forms a lot more interesting than other people. In certain approaches, the undead are deemed an implies of coping using the separation anxiety folks encounter about dying men and women. In the very same time, they also act as allegories for what could occur if particular cultural and religious norms are overlooked in daily life.
UCF Expressions - UCF-China Arts Connection
Yeh-Shen: A Cinderella Story from China
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Chinese Classical Furniture (Images of Asia)
Chinese hardwood furniture of the Ming dynasty is known the world over for its classical beauty and ingenious design. This beautifully illustrated introduction to Ming furniture opens with a short history of Chinese furniture styles; goes on to discuss the many varieties of chairs, tables, beds, cabinets, and stands included among Ming pieces; and uses woodblock prints of the time to explore how the pieces were arranged and used.The Rough Guide to China 5 (Rough Guide Travel Guides)
The Rough Guide to China is the definitive guidebook to one of the world's most fascinating and rapidly changing travel destinations. The full-colour introduction gives an inspiring insight into many of China's highlights, from the awesome scenery down the Yangzi River to the incredible Great Buddha at Leshan and the lavish Confucius Temple. Read expert background on everything from the treasures of the Forbidden City to the Buddhist art of the Mogao Caves as well as comprehensive information on China''s history, politics, cultures and peoples. This fully- updated fifth edition includes an extended chapter on Shanghai and new colour inserts throughout allowing you to chose where to go and what to see, inspired by over 150 photos. Rely on our selection of the best places to stay and eat, for every budget with place names, accommodation and restaurants invaluably translated into Chinese script. Featuring over 140 detailed maps plus vital Chinese characters, this indispensable guide takes you from cutting-edge clubs in Shanghai to holy mountains in Tibet and from ancient temples to gleaming new skyscrapers.
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The Chinese Army Today: Tradition and Transformation for the 21st Century (Asian Security Studies)
The Chinese Army Today is a comprehensive study of the Chinese military, examining its ground forces in a level of detail not found in any other contemporary works. This new, revised edition has been fully updated to take account of recent changes in the institution.
In 1999, the military modernization program of the Chinese People's Liberation Army increased in intensity and achieved a focus not seen in the previous two decades. Based primarily on actual Chinese sources, this book details these changes and puts them in the context of the many traditions that still remain.
Written by a retired professional military officer who has served in China, the text uses first-hand observation of the Chinese military and three decades of military experience to weave many disparate threads from official Chinese statements, documents, and media reports into an integrated whole. The author also conducts an in-depth exploration into the many forces that constitute the People's Liberation Army.
This is an essential book for all students of Chinese military and security affairs, and highly recommended for students of Chinese Politics, Asian Security, and International Relations and Strategic Studies, in general.
Art in China (Oxford History of Art)
About the Oxford History of Art Series:"An impressively challenging and ambitious series intended to rewrite no less than the whole history of art in terms of new ideas and new scholarship."--Christopher White, Director of the Ashmolean Museum, Oxford
"A welcome introduction to art history for the twenty-first century....The best of the past and future."--Robert Rosenblum, New York University
The last twenty years have witnessed profound changes in art history, the greatest of which stem from the social and cultural perspectives now attached to art scholarship. Written by scholars at the forefront of new thinking, many of whom are rising stars in their fields, theOxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. Providing a fresh new look at art that moves away from traditional elitist approaches, the series makes use of new research and methodologies, as well as newly accessible and non-canonical works to offer comprehensive coverage of the art world from archaic and classical Greek art to twentieth-century design and photography, from the artistry of African-American and Native North Americans to the masterpieces of Europe, Polynesia, and Micronesia. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art.
China boasts a history of art spanning 5,000 years and embracing a wide diversity of images and objects--from jade tablets, painted silk handscrolls and fans to ink and lacquer painting, porcelain-ware, sculpture, and calligraphy. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, while largely ignoring those art forms most highly prized by the Chinese themselves, such as calligraphy. Now, in Art in China, Craig Clunas marks a breakt! hrough i n the study of the subject. Taking into account all the arts practiced in China, and drawing on recent innovative scholarship, this rich text examines the production and consumption of art in its appropriate contexts. From art found in tombs to the state-controlled art of the Mao Zedong era, Art in China offers a novel look and comprehensive examination of all aspects of Chinese art.
Peranakan Chinese Porcelain: Vibrant Festive Ware of the Straits Chinese (No)
Peranakan Chinese Porcelain is illustrated with over 800 full-color photographs of these distinctive porcelain types. Supported by text and photographs on many related aspects of the characteristic Straits Chinese culture, such as architecture, dress and cuisine, Peranakan Chinese Porcelain is a wonderful contribution to the history of the Straits Chinese.
Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art
"Written by one of the most important advocates and theorists of contemporary Chinese art, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art traces the historical roots of contemporary Chinese art and interprets some of the most important events that shaped it over the past three decades. Making serious theoretical claims based on firsthand observations, this book sheds light not only on the unique characteristics of recent Chinese art but also on the growing complexity of contemporary art in general." Wu Hung , Harrie A. Vanderstappen Distinguished Service Professor of Art History and East Asian Languages and Civilizations, and Director, Center for the Art of East Asia, University of Chicago
Chinese Calligraphy (The Culture & Civilization of China)
Chinese calligraphy, with its artistic as well as utilitarian values, has been treasured for its formal beauty for more than three millennia. This lavishly illustrated book brings to English language readers for the first time a full account of calligraphy in China, including its history, theory, and importance in Chinese culture. Representing an unprecedented collaboration among leading Chinese and Western specialists, the book provides a definitive and up-to-date overview of the visual art form most revered in China.
The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form.
In the Realm of the Flower Phoenix
The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappeared forever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappe! ared for ever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.List Price: $ 0.99 Price: $ 0.99BK0271Y-Chinese Painted Fancy Basket , Vintage, China, Wood (Mu), Antique Asian Decor: Chinese Paint
- Vintage
- China
- Red / Gold
- 13" wide x 13" deep x 16.5" high
Chinese painted fancy food basket with carved images of bats of happiness and deer on lid and other Chinese symbols on the bottom rim. Reed handles and red lacquered finish.Price:Chinese calligraphy writing and brush painting / sumi set
- Great starter set
- 5 brushes, ink well / stone, ink stick, signing ink, stone chop, brush rest, & water well
- Nicely presented in chinese brocade gift box
- Size: 8.5" x 6"
- Made in China
Chinese character writing is a highly evolved discipline that relies as much on artistic craftsmanship, as it does on literary composition. Our basic writing set comes with two brushes, a black ink stick, ink stone and red ink for the "chop" or signature stamp. The ink is made by gently rubbing the ink stick in a small pool of water in the ink stone. This ancient method allows for very little waste. The same bushes and inks may be used both for writing and painting, as the two art forms are so closely linked. Our writing set comes from Shanghai, the literary capital of China. Also available on Amazon from REORIENT, is the traditional rice paper used for painting and writing.List Price: $ 14.94 Price: $ 14.94
In the Realm of the Flower Phoenix
The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappeared forever.Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappe! ared for ever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.
BK0271Y-Chinese Painted Fancy Basket , Vintage, China, Wood (Mu), Antique Asian Decor: Chinese Paint
- Vintage
- China
- Red / Gold
- 13" wide x 13" deep x 16.5" high
Chinese calligraphy writing and brush painting / sumi set
- Great starter set
- 5 brushes, ink well / stone, ink stick, signing ink, stone chop, brush rest, & water well
- Nicely presented in chinese brocade gift box
- Size: 8.5" x 6"
- Made in China
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