While the ancient porcelain ware is also very well worth the modern new - ENT Medicals Disposables

by imperialroom

Article by hi joiney

"Chinese Modern and Contemporary Ceramic Art" first appeared in China Guardian Auction! In the upcoming week China Guardian Spring Auction 60 was first introduced in Jingdezhen, Yixing, Longquan, Shek Wan, Germany and Professor of masters, professional artists, masters of the 80 national ceramic fine.

To people in that contemporary Chinese ceramic art are the secondary market new force, the future may become the mainstream arts. "New Craft" have value for collection China Guardian, said the head of China's traditional philosophy has always been your collection of near and far from cheap thin thick old today, 10 years, domestic auction agency focused mainly on the ancient pottery kiln, miscellaneous, Chinese painting and calligraphy, painting and so, ignored a deep foundation of traditional artistic craft of another strong work.

Throughout history, however, the nature of the work with technology as the essence of national culture and its "localization" feature, has its special attraction and influence, also in line with increasingly sophisticated collection, the investment needs of the market. The person in charge that, regardless of craft "new" is the "old", as long as the traditional craft and contemporary art of the internal carry on with a lot of money in the collection.

It is understood that this "Chinese Modern and Contemporary Ceramic Art" gathered more than 60 domestic outstanding achievements of 80 outstanding ceramic artists works, authors, including Jingdezhen, Yixing, Longquan, Shek Wan, Germany, and Professor of masters, professional artists, national master: to impose on people, Zhou Guozhen, Qin Xilin, Wang Xiliang, Li Jin, Zhang Songmao, Wang Enhuai, Dai Ronghua, LIU Yuan-long, LI Ju-sheng, Lan Hua, Fang and Liu Ping, Zhu Legeng, Shu Huijuan, RAO Xiao Love, etc.

Ceramics in the category of contemporary art are the areas of arts and crafts, but many people are used to it as a practical art. In fact, both ceramic art, there are practical arts and crafts, as well as daily necessities! . Practi cal point of view to artificially reduce the art of contemporary ceramic art in the artistic value. In the habit of thinking, people have this tendency to thin thick ancient, something that now things of the past as "worthless", the contemporary production of things will certainly not "worthless."

However, the succession of contemporary ceramic art in the continuous development of the current level beyond the understanding of many people. 80 Europeans last century Chinese antique dared touch on when the tricolor glaze porcelain prices will push millions of dollars to high; the past 10 years, the Ming and Qing porcelain pottery collection continues to be the "hot air", the price in the world The auctions are constantly rising; the last two or three years, the Republic of China porcelain, ceramic and gradually into the contemporary art collection of the mainstream areas of investment, which remains the most watched "Jingdezhen" is the marquee name, the "Pearl Mountain Friends of Eight", "7501 porcelain, "the Chinese art master, master of Chinese ceramic art collection of words to become a common industry language.

Top value fastest masters Century has been incomparably glorious enumerating Jingdezhen ceramic arts to the present? It is understood that in painting and ceramics in Jingdezhen created about 2 million people, is the formation of pyramid-like structure, apprentices, and ordinary workers accounted for most of the paintings belong to walk in the "pyramid" part of the tower bottom, works an average price of about a few hundred dollars to some one thousand. In the "tower" is about more than 100 advanced technology in Jiangxi Jingdezhen artists and hundreds of senior industrial artist, works an average price of a few from 1000 to 10,000 yuan or so.

In a "pyramid" is a tip of more than 100 professors, state-level master of arts and crafts and pottery master, whose works price of several thousand dollars in the past few years has been promoted to several hundred thousand or even turn over millions of do! llars, t he largest value-added rate. Jingdezhen porcelain with rich and varied artistic expression has always been known for: blue and white color, lush green, fresh and elegant pattern, crystal soft and smooth glaze; Fencai Ci Yun-soft pink color, rich in fine-style painting; there and Red, ancient color, kiln changes, high temperature glaze, integrated ceramic decoration, etc., blossom, Colorful. Contemporary artists in Jingdezhen ceramic porcelains in addition to the four generations, there are also their forte.

LIU Yuan-long good porcelain sculpture to "diffusing" as the representative of world-famous home and abroad; independent research glaze Art Deco pearl color method Ryder all, its innovative techniques pioneered Jingdezhen porcelain ceramic glaze decoration of the new contemporary style; will Fencai Ci Yun-soft pink beauty of the elegant Mexican ceramics elegant blend of Li Wenyue of Rhyme, created quite personality "full regalia ceramics" decorative style and so on. Experts believe that the unique offerings of modern masters have special skill, which the art of tech no less than porcelain.

1500-year-old ceramic antiques in NanJing, China

1500-year-old ceramic antiques in Nanjing, China, that time was around Jin Dynasty; Note:China has Dynasties since 4000 years ago; regarding this movie, those artwork begins from Shang(1100BC approx); Dong-Zhou(770BC-256BC); Han (206BC-220AD); Jin(265AD-420AD);Sui(581-618);Tang Dynasty(618-907);Song(960-1279);Yuan(1206-1368);Ming(1368-1644);Qing(1616-1911);MinGuo(1912-1949)

Video Rating: 5 / 5

Peranakan Chinese Porcelain: Vibrant Festive Ware of the Straits Chinese (No)

Exuberant, ornate and colorful, Straits Chinese porcelain is a variety of polychrome enameled export ware made to specification in China during the nineteenth and early twentieth centuries. This lovely porcelain was made for the Straits-born Chinese or Peranakan communities in Penang, Malacca and Singapore and was used on festive occasions such as weddings, birthdays, anniversaries and Chinese New Year.

Peranakan Chinese Porcelain is illustrated with over 800 full-color photographs of these distinctive porcelain types. Supported by text and photographs on many related aspects of the characteristic Straits Chinese culture, such as architecture, dress and cuisine, Peranakan Chinese Porcelain is a wonderful contribution to the history of the Straits Chinese.

List Price: $ 65.00 Price: $ 30.06

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art

"Written by one of the most important advocates and theorists of contemporary Chinese art, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art traces the historical roots of contemporary Chinese art and interprets some of the most important events that shaped it over the past three decades. Making serious theoretical claims based on firsthand observations, this book sheds light not only on the unique characteristics of recent Chinese art but also on the growing complexity of contemporary art in general." Wu Hung , Harrie A. Vanderstappen Distinguished Service Professor of Art History and East Asian Languages and Civilizations, and Director, Center for the Art of East Asia, University of Chicago

List Price: $ 39.95 Price: $ 26.33

Chinese Calligraphy (The Culture & Civilization of China)

Chinese calligraphy, with its artistic as well as utilitarian values, has been treasured for its formal beauty for more than three millennia. This lavishly illustrated book brings to English language readers for the first time a full account of calligraphy in China, including its history, theory, and importance in Chinese culture. Representing an unprecedented collaboration among leading Chinese and Western specialists, the book provides a definitive and up-to-date overview of the visual art form most revered in China.

The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form.

(20081221)

List Price: $ 75.00 Price: $ 47.45

In the Realm of the Flower Phoenix

The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappeared forever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappe! ared for ever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.

List Price: $ 0.99 Price: $ 0.99

BK0271Y-Chinese Painted Fancy Basket , Vintage, China, Wood (Mu), Antique Asian Decor: Chinese Paint

• Vintage
• China
• Red / Gold
• 13" wide x 13" deep x 16.5" high

Chinese painted fancy food basket with carved images of bats of happiness and deer on lid and other Chinese symbols on the bottom rim. Reed handles and red lacquered finish.

Price:

Chinese calligraphy writing and brush painting / sumi set

• Great starter set
• 5 brushes, ink well / stone, ink stick, signing ink, stone chop, brush rest, & water well
• Nicely presented in chinese brocade gift box
• Size: 8.5" x 6"
• Made in China

Chinese character writing is a highly evolved discipline that relies as much on artistic craftsmanship, as it does on literary composition. Our basic writing set comes with two brushes, a black ink stick, ink stone and red ink for the "chop" or signature stamp. The ink is made by gently rubbing the ink stick in a small pool of water in the ink stone. This ancient method allows for very little waste. The same bushes and inks may be used both for writing and painting, as the two art forms are so closely linked. Our writing set comes from Shanghai, the literary capital of China. Also available on Amazon from REORIENT, is the traditional rice paper used for painting and writing.

List Price: $ 14.94 Price: $ 14.94