Mount Lu Jiangxi China Travel Guide And Tips

Article by Shane Lee

Mount Lu is a popular mountain range situated in the northern part of Jiangxi province in southeastern China. It neighbors Jiujiang city and Yangtze River to the north, Nanchang city to the south, and Poyang Lake to the east. Its highest point is Dahanyang Peak, reaching 1,474 m above sea level, and is one of the hundreds of steep peaks that towers above a sea of clouds. Mount Lu is part of Lushan National Park, which is a UNESCO World Heritage Site since 1996, and as such, the park has become a prominent tourist attraction, especially during the summer months when the weather is cooler.

Hui-yuan founded Pure Land Buddhism here on the northwest slope in 402. Also, the Donglin Temple is located here.Lushan National Park is a UNESCO World Heritage Site, and Lushan Quaternary Glaciation National Geopark is a member of UNESCO Global Geoparks Network.The Lushan Botanical Gardens features tens of thousands of plant species.Below the Five Old Men Peak is the White Deer Grotto Academy, named after the poet Li Bo(not to be confused with the famous poet Li Bai), who raised white deer there. It is one of the oldest institutes of higher learning in ancient China.West is the Flower Path which provided inspiration to Bai Juyi, a famous poet who lived during the Tang Dynasty.Between the Yangtze River and Lake Poyang lie the Greater and Lesser Tianchi Lakes, the Jingxiu Valley, and Lulin Lake. On the north bank of the latter is the Lushan Museum, which features pottery and bronzes dating from various periods of ancient China, as well as calligraphy from the Tang Dynasty and paintings from the Ming and Qing dynasties.At the centre (between three peaks), and at an altitude of over 1 kilometer above sea level, is the town of Guling, which is linked by a mountain highway to neighboring spots in the region.World famous lu shan tea is grown in the mountains.

Transportation:(1). There are direct trains to Jiujiang city from Shanghai, Guangzhou, Shenzhen, Beijing, Jinan, Qindao, Xiamen, Xian, Dongguan, Chong! qin, Lia nyugang, Tonglin, Hefei, Wuhan. (2). If you wanna travel by boat, you can take one from Shanghai (or Chongqin) to Jiujiang. (3). Nanchang - Mount Lu : There is a tourism bus to Mount Lu from Nanchang bus station every morning (only available on 8:25). The cost is 36 rmb for one person.(4). Jiujiang - Mount Lu: You can take the city bus lin 3 or 4 to the Jiujiang bus station from Jiujiang railway station first. Then transfer to a tourism bus to Mount Lu (cost 8 rmb).

Accommodations:It is very convinent in Mount Lu cause it is a famous travel destination in China. You can find all kinds of hotels or hostels here. The average cost is about 100 rmb for a standard room. If you wanna save some money, the hostels can be your better choice. The cost is about 20 rmb for a bed.Admission Fee:RMB 135 for one person. You can get a 30% off if you come here at winter (Dec 1 to Feb 30). Free for kids shorter than 1.3 m. 50% off for aged (>70). 50% off for students (need to show a student ID).

Tips:(1). It is cold in Mount Lu. You'd better bring some jackets with you.(2). When you arrive the hotel, do not take a shower immediately. You will have more chance to get a bad cold if you do so.(3). For the aged, the crutch is a must have.(4). Do not wear shoes with high heels, especially for the young ladies.

Temple of Heaven, Beijing (China) - Travel Guide

Take a tour of Temple of Heaven in Beijing, China -- part of the World's Greatest Attractions series by GeoBeats. Hi, I am Naomi and I am very excited to show you the world's greatest attractions. The largest temple complex in China, the Temple of Heaven can be found in Beijing. It's even larger than the Forbidden City and consists of three main buildings. There's the Imperial Vault of Heaven, surrounded by the Echo Wall. Next is the Hall of Prayer for good harvests, where the Emperor himself used to pray. Then there is the Circular Mound Altar where good fortune sacrifices were made. The entire temple was specifically designed with highly symbolic meanings to each structure. The Temple of Heaven is a magnificent image of 600 years of Chinese culture and history. Thank you for watching our travel video series. See you next time.

Video Rating: 5 / 5

Lonely Planet Southeast Asia: On a Shoestring (Shoestring Travel Guide)

For 35 years Lonely Planet's Southeast Asia on a Shoestring has been the backpacker's bible. Discover Cambodia's ancient temples, Thailand's island paradises and the best pho in Vietnam. We help you stay longer and spend less.

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Yixing Pottery: The World of Chinese Tea Culture (Arts of China)

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The Dynasties of China: A History

Shang, Chou, Han, T'ang, Sung, Yuan, Ming, Ch'ing — for most Westerners, they stand only as adjectives to describe a lacquer, a bronze, a silk, a watercolor. And for all the familiarity a blue and white porcelain vase from the Ming dynasty or the bright and sturdy pottery figures of horses and grooms from the T'ang may now have acquired, the history of the civilization that produced them remains obscure. So do the names of the potters and artists and philosophers and emperors and generals — except perhaps for those of Kublai Khan, who was not Chinese, and K'ung Fu Tzu — known as Confucius — who flourished a century before Socrates. Focusing upon the incidents and personalities that epitomize most vividly each of the dynasties, this lucidly narrated volume, beautifully illustrated by a lavish selection of color photographs, places in their historical context the images that came to define imperial China from its origins in 1600 B.C. to the revolution of Sun Yat-sen in October 1911. It provides a background to China's turbulent twentieth century, which is surveyed in an informative postscript, highlighting such events as the troubled presidency of Chiang Kai-shek, Mao Tse-tung's ruthless Cultural Revolution, and the 1989 student protests in Beijing's Tiananmen Square.

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Yuan Mei: Eighteenth Century Chinese Poet (China: History, Philosophy, Economics)

First published in 1956. Arthur Waley here presents an engrossing account of the works and life of Yuan Mei (1716-1797), the best-known poet of his time. Gaiety is the keynote of his works and the poet was a friend of the Manchu official with whom Commodore Anson had dramatic dealings at Canton in 1743. Yuan Mei gives an account (not previously translated) of Anson's interview with the Manchu authorities. The book contains many translations of Yuan Mei's verse and prose.

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Fascinating Stage Arts (Culture of China) (Chinese Edition)

An overview of Traditional Chinese theater and Opera. Color Illustrations.

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Chinese Classical Furniture (Images of Asia)

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The Rough Guide to China 5 (Rough Guide Travel Guides)

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The Chinese Army Today: Tradition and Transformation for the 21st Century (Asian Security Studies)

The Chinese Army Today is a comprehensive study of the Chinese military, examining its ground forces in a level of detail not found in any other contemporary works. This new, revised edition has been fully updated to take account of recent changes in the institution.

In 1999, the military modernization program of the Chinese People's Liberation Army increased in intensity and achieved a focus not seen in the previous two decades. Based primarily on actual Chinese sources, this book details these changes and puts them in the context of the many traditions that still remain.

Written by a retired professional military officer who has served in China, the text uses first-hand observation of the Chinese military and three decades of military experience to weave many disparate threads from official Chinese statements, documents, and media reports into an integrated whole. The author also conducts an in-depth exploration into the many forces that constitute the People's Liberation Army.

This is an essential book for all students of Chinese military and security affairs, and highly recommended for students of Chinese Politics, Asian Security, and International Relations and Strategic Studies, in general.

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Art in China (Oxford History of Art)

About the Oxford History of Art Series:

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The last twenty years have witnessed profound changes in art history, the greatest of which stem from the social and cultural perspectives now attached to art scholarship. Written by scholars at the forefront of new thinking, many of whom are rising stars in their fields, theOxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. Providing a fresh new look at art that moves away from traditional elitist approaches, the series makes use of new research and methodologies, as well as newly accessible and non-canonical works to offer comprehensive coverage of the art world from archaic and classical Greek art to twentieth-century design and photography, from the artistry of African-American and Native North Americans to the masterpieces of Europe, Polynesia, and Micronesia. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art.

China boasts a history of art spanning 5,000 years and embracing a wide diversity of images and objects--from jade tablets, painted silk handscrolls and fans to ink and lacquer painting, porcelain-ware, sculpture, and calligraphy. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, while largely ignoring those art forms most highly prized by the Chinese themselves, such as calligraphy. Now, in Art in China, Craig Clunas marks a breakt! hrough i n the study of the subject. Taking into account all the arts practiced in China, and drawing on recent innovative scholarship, this rich text examines the production and consumption of art in its appropriate contexts. From art found in tombs to the state-controlled art of the Mao Zedong era, Art in China offers a novel look and comprehensive examination of all aspects of Chinese art.

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Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art

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Chinese calligraphy, with its artistic as well as utilitarian values, has been treasured for its formal beauty for more than three millennia. This lavishly illustrated book brings to English language readers for the first time a full account of calligraphy in China, including its history, theory, and importance in Chinese culture. Representing an unprecedented collaboration among leading Chinese and Western specialists, the book provides a definitive and up-to-date overview of the visual art form most revered in China.

The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form.

(20081221)

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In the Realm of the Flower Phoenix

The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappeared forever.

Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.

The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.

Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappe! ared for ever.

Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.

The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.

Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.

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BK0271Y-Chinese Painted Fancy Basket , Vintage, China, Wood (Mu), Antique Asian Decor: Chinese Paint

  • Vintage
  • China
  • Red / Gold
  • 13" wide x 13" deep x 16.5" high
Chinese painted fancy food basket with carved images of bats of happiness and deer on lid and other Chinese symbols on the bottom rim. Reed handles and red lacquered finish.

Price:

Chinese calligraphy writing and brush painting / sumi set

  • Great starter set
  • 5 brushes, ink well / stone, ink stick, signing ink, stone chop, brush rest, & water well
  • Nicely presented in chinese brocade gift box
  • Size: 8.5" x 6"
  • Made in China
Chinese character writing is a highly evolved discipline that relies as much on artistic craftsmanship, as it does on literary composition. Our basic writing set comes with two brushes, a black ink stick, ink stone and red ink for the "chop" or signature stamp. The ink is made by gently rubbing the ink stick in a small pool of water in the ink stone. This ancient method allows for very little waste. The same bushes and inks may be used both for writing and painting, as the two art forms are so closely linked. Our writing set comes from Shanghai, the literary capital of China. Also available on Amazon from REORIENT, is the traditional rice paper used for painting and writing.

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