Chinese Traditional Folk Art - Chinese Knot
Article by venturi@lesishu.org
What is Chinese knot? Chinese knot is characteristic folk handicraft art and a typical symbol in China. It is also the Chinese people's
intelligence gathering and has long history over thousand years. "Knot" has the meaning of reunion, friendliness, peace, love, etc. In
addition, "knot" and "luck, felicity" have the same pronunciation, hence, Chinese people like to weave all kinds of knot to express
good wishes, including happiness, prosperity, love, health and so forth in China. Chinese knot looks simple, actually not, it has complex
weave methods. We surprised that all Chinese knot purely hand-made with silk thread. I think that teaching and weaving Chinese knot is a
challenge but full of interesting.The exquisitely symmetrical knots that come in so many forms are as profound as the great cultural heritage of the Chinese people.
Studying carefully, we can find lots different Chinese knots in the market and each knot named according to their distinctive shapes,
usages or origins. They are not only name in tune with their shapes but also have implied meanings. The double coin knot, for example, is
shaped like two overlapping coins once used in ancient China and means wealth for people; "Happiness & Longevity", "Double Happiness",
"Luck and Auspiciousness as one wish" are Chinese traditional pleasant phrases expressing warmest regards, best wishes and finest ideal,
the button knot functions as a button and so on. There are so many types that I can state one by one. Of cause, Chinese knot has variety
functions from old time to the modern life, and it become more and more popular among us.The ancient art of tying Chinese knots was originally used for practical purposes. But as the art developed over the years, people began
using the knots for decorative purposes. Today, Chinese knots can be seen dangling from keychains and cars, hanging from walls, and
fastened to rearview mirrors. There still many people ! who like collection collect the Chinese knot as souvenirs. These elegant Chinese
knot, whether for its practical or ornamental, all reflecting the grace and depth of Chinese culture.
Beautiful Chinese Music【10】Traditional
Sources of Chinese Tradition: Volume 2: From 1600 Through the Twentieth Century: vol. 2 (Introduction to Asian Civilizations)
-- Ying-shih Yü, Gordon Wu 1958 Professor of Chinese Studies
and professor of history, Princeton University
-- Ying-shih Yü, Gordon Wu 1958 Professor of Chinese Studies
and professor of history, Princeton University
The Chinese Army Today: Tradition and Transformation for the 21st Century (Asian Security Studies)
The Chinese Army Today is a comprehensive study of the Chinese military, examining its ground forces in a level of detail not found in any other contemporary works. This new, revised edition has been fully updated to take account of recent changes in the institution.
In 1999, the military modernization program of the Chinese People's Liberation Army increased in intensity and achieved a focus not seen in the previous two decades. Based primarily on actual Chinese sources, this book details these changes and puts them in the context of the many traditions that still remain.
Written by a retired professional military officer who has served in China, the text uses first-hand observation of the Chinese military and three decades of military experience to weave many disparate threads from official Chinese statements, documents, and media reports into an integrated whole. The author also conducts an in-depth exploration into the many forces that constitute the People's Liberation Army.
This is an essential book for all students of Chinese military and security affairs, and highly recommended for students of Chinese Politics, Asian Security, and International Relations and Strategic Studies, in general.
Art in China (Oxford History of Art)
About the Oxford History of Art Series:"An impressively challenging and ambitious series intended to rewrite no less than the whole history of art in terms of new ideas and new scholarship."--Christopher White, Director of the Ashmolean Museum, Oxford
"A welcome introduction to art history for the twenty-first century....The best of the past and future."--Robert Rosenblum, New York University
The last twenty years have witnessed profound changes in art history, the greatest of which stem from the social and cultural perspectives now attached to art scholarship. Written by scholars at the forefront of new thinking, many of whom are rising stars in their fields, theOxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. Providing a fresh new look at art that moves away from traditional elitist approaches, the series makes use of new research and methodologies, as well as newly accessible and non-canonical works to offer comprehensive coverage of the art world from archaic and classical Greek art to twentieth-century design and photography, from the artistry of African-American and Native North Americans to the masterpieces of Europe, Polynesia, and Micronesia. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art.
China boasts a history of art spanning 5,000 years and embracing a wide diversity of images and objects--from jade tablets, painted silk handscrolls and fans to ink and lacquer painting, porcelain-ware, sculpture, and calligraphy. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, while largely ignoring those art forms most highly prized by the Chinese themselves, such as calligraphy. Now, in Art in China, Craig Clunas marks a breakt! hrough i n the study of the subject. Taking into account all the arts practiced in China, and drawing on recent innovative scholarship, this rich text examines the production and consumption of art in its appropriate contexts. From art found in tombs to the state-controlled art of the Mao Zedong era, Art in China offers a novel look and comprehensive examination of all aspects of Chinese art.
Peranakan Chinese Porcelain: Vibrant Festive Ware of the Straits Chinese (No)
Peranakan Chinese Porcelain is illustrated with over 800 full-color photographs of these distinctive porcelain types. Supported by text and photographs on many related aspects of the characteristic Straits Chinese culture, such as architecture, dress and cuisine, Peranakan Chinese Porcelain is a wonderful contribution to the history of the Straits Chinese.
Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art
"Written by one of the most important advocates and theorists of contemporary Chinese art, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art traces the historical roots of contemporary Chinese art and interprets some of the most important events that shaped it over the past three decades. Making serious theoretical claims based on firsthand observations, this book sheds light not only on the unique characteristics of recent Chinese art but also on the growing complexity of contemporary art in general." Wu Hung , Harrie A. Vanderstappen Distinguished Service Professor of Art History and East Asian Languages and Civilizations, and Director, Center for the Art of East Asia, University of Chicago
Chinese Calligraphy (The Culture & Civilization of China)
Chinese calligraphy, with its artistic as well as utilitarian values, has been treasured for its formal beauty for more than three millennia. This lavishly illustrated book brings to English language readers for the first time a full account of calligraphy in China, including its history, theory, and importance in Chinese culture. Representing an unprecedented collaboration among leading Chinese and Western specialists, the book provides a definitive and up-to-date overview of the visual art form most revered in China.
The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form.
In the Realm of the Flower Phoenix
The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappeared forever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappe! ared for ever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.List Price: $ 0.99 Price: $ 0.99BK0271Y-Chinese Painted Fancy Basket , Vintage, China, Wood (Mu), Antique Asian Decor: Chinese Paint
- Vintage
- China
- Red / Gold
- 13" wide x 13" deep x 16.5" high
Chinese painted fancy food basket with carved images of bats of happiness and deer on lid and other Chinese symbols on the bottom rim. Reed handles and red lacquered finish.Price:Chinese calligraphy writing and brush painting / sumi set
- Great starter set
- 5 brushes, ink well / stone, ink stick, signing ink, stone chop, brush rest, & water well
- Nicely presented in chinese brocade gift box
- Size: 8.5" x 6"
- Made in China
Chinese character writing is a highly evolved discipline that relies as much on artistic craftsmanship, as it does on literary composition. Our basic writing set comes with two brushes, a black ink stick, ink stone and red ink for the "chop" or signature stamp. The ink is made by gently rubbing the ink stick in a small pool of water in the ink stone. This ancient method allows for very little waste. The same bushes and inks may be used both for writing and painting, as the two art forms are so closely linked. Our writing set comes from Shanghai, the literary capital of China. Also available on Amazon from REORIENT, is the traditional rice paper used for painting and writing.List Price: $ 14.94 Price: $ 14.94
In the Realm of the Flower Phoenix
The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappeared forever.Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.The Flower Phoenix is an ancient handscroll which has been created through generations of women artists. The original page of the handscroll was created by China's Tang Dynasty poet Li Bai. The Tang Dynasty is considered by many to be the height of Chinese artistic culture, and Li Bai is China's most renowned ancient poet. Li Bai was inspired by the beauty of Yang Mei. Yang Mei inspires the master painter Wu Daozi. Wu Daozi creates the second page of the Flower Phoenix handscroll. Legends say that Wu Daozi was a mystical painter, who at the end of his life painted a doorway in the side of a mountain, opened the door and disappe! ared for ever.
Each generation creates panels in the book. By telling the story, the storyteller creates a portal into the Realm of the Flower Phoenix. The "storybearer" reads the story and summons the power of the energy of all the generations.
The story opens with Mable "Peach Blossom" Yang's one hundredth birthday celebration. She is going to pass the book on to the next generation. Mable is the most potent storybearer in the family line.
Hand scroll paintings were rolled from one side to the other and as each painted section was revealed, the story of the imagery was viewed and discussed. The book unfolds over many generations and the lives of the long line of women artists who created the Flower Phoenix are brought to life by the telling.
BK0271Y-Chinese Painted Fancy Basket , Vintage, China, Wood (Mu), Antique Asian Decor: Chinese Paint
- Vintage
- China
- Red / Gold
- 13" wide x 13" deep x 16.5" high
Chinese calligraphy writing and brush painting / sumi set
- Great starter set
- 5 brushes, ink well / stone, ink stick, signing ink, stone chop, brush rest, & water well
- Nicely presented in chinese brocade gift box
- Size: 8.5" x 6"
- Made in China
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